The Art and Musings of Tamara Natalie Madden

Recently, a good friend of mine made a suggestion to me about my work. She told me to delve more into myself to see what I can find. Most of my inner most thoughts and feeling are generally expressed through writings that I refuse to share. I find them to be too personal.

When she suggested that I paint my deepest thoughts and feelings, the first artist that I thought of was Frida Kahlo. I figured that my work would look somewhat like hers--if I were to interpret it literally--although her work wasn't necessarily literal. I'm sure that my work would involve some gore and possibly some sordid symbols and madness.

Needless to say, I really enjoy Frida's work because it tells the truth. It tells her truth in a way that I've yet to find in my visual art, only in my writings. It's a deep truth. I speak the truth in my work, but not my personal truths. I haven't reached that point yet, but I'm getting there...

...but there's another artist. One whose work speaks just as clearly as Frida's, but is more masterfully rendered. It speaks to the darkness that lie within many of us, the darkness that we sometimes won't allow others to see. It is the painters' truth--his vision. It is ODD and he is ODD Nerdrum.

I was introduced to his work some years ago and thought that he was a classic artist that I had never heard of, but I soon found out that he is of our time, although his paintings are classically inspired. His subject matters--well, let's just say they are ODD, but I can appreciate him as I do Frida because they speak their truth in their work--always.

So I decided, that I will make an attempt to delve, and we will see where it takes me. In the meantime, I'm inspired by his work--thoroughly.



The Singers, Odd Nerdrum (above)

Nerdrum calls himself a Kitsch painter saying, ‘the kitsch painter is committed to the eternal: love, death and the sunrise’ and ‘because modernism has conquered art, kitsch is the savior of talent and devotion.’

I suppose he doesn't want to get lost in this idea of modernism where painters have put money and fame before true purpose. That's my interpretation, but I do understand how easy it is to get lost as an artist.

I feel like my work has a purpose, but I know that there is so much more room to grow and I plan on doing that. In the meantime, I need to practice painting because I'm nowhere close to being as good as him, but I suppose that's ok. There's only one ODD and only one me. :)

Kitsch is the opposite of the public space, of the public conversation, of the demand for objectivity and functionality. Kitsch is the intimate space, our selves, our love and our congeniality, our yearnings and our hopes, and our tears, joys and passion. Kitsch comes from the creative person’s private space, and speaks to other private spaces. Kitsch deals therefore with giving intimacy dignity - Odd Nerdrum, ArtNews, April 2000.

I love finding articles about my work. I guess it just shows me that folks are paying attention. That's a good thing for a growing artist. I suppose my narcissism makes me want to post everything that I see. lol! Here's an article written in 2008 by Ultraviolet Underground.
I thank them for their kind words.

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Friday, September 12, 2008

Indiefied- Tamara Natalie Madden

Recently, I was interviewed by Chris-Tia from Thank God I'm Natural for Natural Chic of the Week. She recently wrote a book about natural hair. You can find more details on her blog here. I didn't particularly like the picture she chose for me, but I'm re-posting the article here anyways. I changed the picture to something that fits more of my personality. The original one is on the bottom.

Dignified, 9/2009

Myself and Curator Sharif Bey

I haven't been updating my page. I think that I've gotten way too busy for my own good! I did a show back in June in NC. It was a fairly successful show, although the opening was horrible. I just thought I'd share some of the images from that experience and the write-up that their local journal did about me.

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A Soaring Spirit: Artist overcame kidney disease to fulfill her creative dream

By Ken Keuffel
JOURNAL REPORTER
When Tamara Natalie Madden came down with a rare disease, her kidneys failed and she underwent dialysis three times a week. The dialysis sessions began around 1997, shortly after Madden gave birth to her daughter. Each one kept Madden hooked to a machine for three or four hours -- and wondering how to keep sane in the process. She did so by drawing sketches for a children's book and by developing ideas for her paintings.
Madden's struggles with kidney disease ended happily in 2001 when a half-brother from her native Jamaica gave her one of his kidneys. And shortly thereafter, she entered some of her artwork in an exhibition, making good on a promise she had made to herself long ago, namely to become a professional artist.
Madden, a single mother in her early 30s, was born and raised in Jamaica. During her teenage years, she began living with her mother in the United States. The positive outcome of Madden's disease -- coupled with an unusual way of portraying everyday folk on canvas -- can be seen in "Majestic Women: Paintings by Tamara Natalie Madden," an exhibition that Winston-Salem Delta Fine Arts Inc. is presenting through July 25 at the Delta Arts Center, 2611 New Walkertown Road.
Madden now considers her half-brother her "brother." But she barely knew him when, "on a whim," she and her mother traveled back to Jamaica to reunite with family. "He thought I looked ill," Madden said recently on the telephone from her home in suburban Atlanta. "He asked me what was wrong, and I told him. He offered a kidney to me.… That's the kidney I have right now, that's keeping me alive."
Madden the artist has never forgotten this unexpected gesture of benevolence. In each of her works, there's a bird that represents what her artist statement calls "a sense of freedom."
"Dialysis … made me feel as if I couldn't budge (and) I felt imprisoned by my illness," the statement reads. "When I received my transplant I no longer felt like a caged bird. I was free to pursue my joys and my passion. Each bird represents that sense of autonomy, that feeling that you can achieve anything through hard work and dedication."
The other singular thing about the work in Madden's Delta Arts exhibition is the way she has transformed the everyday folk in her portraits into what she calls "kings and queens." The portraits' subjects run the gamut, from homeless people to modestly paid workers at a variety of companies. All of the subjects in "Majestic Women" are black, and despite the show's title, a few are men.
For "Majestic Women," Madden has painted portraits derived from photos she took of each subject -- and then "clothed" the portraits with colorful patches of fabric in such a way that each has taken on a regal air. This process depended on the cooperation of the portraits' subjects -- something that Madden wasn't always able to secure for a variety of reasons, including their desire not to be photographed.
One person who did agree to be photographed for a portrait in the exhibit was Nicole Pritchett, 37, who works as a fabric developer for a clothing company in the Atlanta area. She said that Madden wants to "uplift with her work" -- a goal she seems to have fulfilled with Pritchett.
"I felt, ‘Wow. Maybe, I could become a queen in my next life,'" she said.
The idea of transforming everyday folk into kings and queens came to Madden after she discovered that people "weren't moved by the images" in her paintings of everyday Jamaican folk.
She came to believe, thought, that if you "take a person you might overlook (and) put them in these clothes, then they become acceptable."
"You're forced to sort of look at them and appreciate them," she said.
Dianne Caesar, Delta's executive director, agreed, saying, "You're compelled to come look at them."
Sharif Bey, an assistant professor of art education at Winston-Salem State University, also sits on Delta's board. He said he recommended a Delta exhibition of Madden's work, after seeing it in a show at Syracuse University.
"It deviates from conventional portraiture by incorporating several media," Bey said.
"Majestic Women" has also reminded him of similar developments in the Harlem Renaissance, when artists worked to "combat negative images of blacks from the 19th century."
Curiously, Madden has never received any formal training in art beyond a few classes in high school. She is finishing work toward a bachelor's degree in business management, believing that talent in art only gets you so far, that "you have to understand the business of art" to make it as an artist as well.
Though she acknowledges that school can be helpful for an artist, she seems content to remain largely self-taught.
"I feel I can really express myself without limitations. I don't feel like I have to follow in anyone's rules and guidelines. I'm free. I'm not limited."
■ "Majestic Women: Paintings by Tamara Natalie Madden" will be presented through July 25 by Winston-Salem Delta Fine Arts Inc. at the Delta Arts Center, 2611 New Walkertown Road. Gallery hours are 10 a.m. to 5 p.m. Tuesdays through Fridays and 11 a.m. to 3 p.m. Saturdays. Admission is free; for more information, call 722-2625.
■ Ken Keuffel can be reached at 727-7337 or at kkeuffel@wsjournal.com.